Istruzioni per l'uso KONICA MINOLTA CF9001

[. . . ] 26 Elementare. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Rosso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Verde. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Blu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Nitidezza . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Luminosità. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Contrasto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Saturazione . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Ritratto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Professionale. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Tinta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Saturazione . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Luminosità. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Nitidezza . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Densità . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Contrasto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Bilanciamento dei colori . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 4 Rapida sintesi degli esempi di copiatura 1 1 Rapida sintesi degli esempi di copiatura Digital Art Le funzioni Digital Art si suddividono in 3 gruppi: le funzioni che "manipolano i colori dell'originale", quelle che "cambiano i rapporti zoom" e quelle che "manipolano l'immagine stessa dell'originale". Combinando queste funzioni, potete effetuare copie con molteplici interpretazioni di colori. Manipolazione dei colori dell'originale q Monocromia . 17 q Inversione Negativo-Positivo . [. . . ] It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. 0 1000 2000 3000 4000 5000 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. 0 1000 2000 3000 4000 5000 22 Digital Art 3 Margine per Archiviazione Potete produrre un margine lungo il bordo principale della copia per facilitarne l'archivazione. La larghezza del margine va da 1 mm a 30 mm. q Margine per archiviazione con spostamento Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 0 1000 2000 3000 4000 5000 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. q Margine per archiviazione con riduzione The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. [. . . ] A confronto la banana appare alquanto spenta SUGGERIMENTO UTILE Per la regolazione della sfumatura, luminosità e saturazione, si veda il manuale d'uso fornito a parte. 24 Comprendere i colori 4 Sfumatura, luminosità e saturazione Sfumatura, luminosità e saturazione. Questi tre elementi costituiscono i tre attributi primari per la creazione del colore. La figura 1 illustra il modo in cui questi attributi possono concorrere nella creazione di un colore: le sfumature formano il bordo esterno della figura, con la luminosità come asse centrale e la saturazione come raggi orizzontali. [. . . ]